Avengers: Endgame posterTwitterAvengers: Endgame movie will release worldwide on April 26. Ahead of its worldwide release, the movie was released in China and fans were left in shock to see that there was no mid-credit or post-credit scenes in the feature. However, there was something else and here we are going to discuss that for all of you.Major spoiler for Avengers: Endgame:The mid-credit and post-credit sequences have become a tradition in Marvel movies. Usually, viewers leave the theaters whenever the end credits start to roll but not the Marvel fans. When an MCU movie ends, fans stick to their seats to enjoy the mid-credit and post-credit sequences. Almost all the times, these mid-credit and post-credit sequences reveal what to expect from the next feature film.For example, in the 2018 release Avengers: Infinity War’s post-credit sequence, we saw Nick Fury sending an SOS to Captain Marvel. This gave us something to look forward to in the following months. Whereas, the mid-credit sequence of Captain Marvel showed Carol Danvers coming back to planet Earth to join the Avengers in their fight against Mad Titan Thanos.But Marvel fans will be disappointed after learning that there are no mid-credit or post-credit sequence in Avengers: Endgame movie. Tom Holland on the poster of Avengers: EndgameInstagramAs we all know, Avengers: Endgame is finally bringing closure to the ongoing Marvel’s phase 3. There were reports that Spider-Man: Far From Home will actually be the end of Phase 3 so fans will be hoping to see something in the end.To the fans’ surprise, when the Avengers: Endgame will release this weekend, they will find an audio stinger at the end, when the Marvel logo appears. The metal hitting metal sounds may suggest that it is Tony Stark who is actually forging his first Iron Man armor — the one he made in the very first Iron Man movie. As of now, that metal hitting metal sound is open to interpretation and fans can even come up with their own theories about it.As of now, we can simply wait for Kevin Feige or other Marvel head to spill the beans about the Avengers: Endgame post-credit scenes. Avengers: Endgame movie has already broken several box-office records in India and China. Movie experts are predicting that it will earn $1 billion within the first week only.
Remember that time in Delhi when over a good few days Anna Hazare held sway over Jantar Mantar? Slogans flew thick and fast, voices were raised, the aam aadmi wanted their rights and how. Then there was another side of the ‘I am Anna’ movement, the crazy bikers who roamed city streets, driving at break-neck speeds, scaring pedestrians and other drivers. I remember the latter more clearly and thus Hazare and his team, his antics or his ideology, never really fascinated me. Also Read – ‘Playing Jojo was emotionally exhausting’While Satyagraha is a movie based on current times, basing the entire movie on what we have seen at India Gate and Jantar Mantar over the last two years kills it somewhat. Based in Ambikapur, the story of Satyagraha revolves around Dwarka Anand (Bachchan), whose honest-engineer son Akhilesh gets murdered (perhaps a reference to the slain NHAI project director Satyendra Dubey); as is the fate of whistleblowers. The government offers compensation to his wife Sumitra (Amrita Rao) which she just cannot get her hands on. Then there is the slimy neta Balram Singh (Manoj Bajpayee) who plays all the cards to his advantage. Also Read – Leslie doing new comedy special with NetflixAnand slaps a government official and gets jailed. His son’s friend Maanav (Ajay Devgn) joins hands with local leader Arjun Singh (Arjun Rampal) along with feisty journalist Yasmin (Kareena Kapoor) to get him out. And the battle begins. While Jha plays it safe by picking actors he has worked with before, we have to give it to the director – he knows how to make them work to his advantage. While Rampal comes across a tad bit flimsy in his role, Kareena flits in and out of her role of a journalist. Devgn and Bachchan steal the show. The ravaged, tired face of Dwarka Anand stays in your mind. Devgn’s character, which doesn’t seem to be modeled on Arvind Kejriwal’s, is one character that holds promise but unfortunately Jha does not flesh him out.The movie works because it takes a relevant argument, thought and action plan to the silver screen. It leaves you disappointed as you are constantly reminded of the Anna Hazare-Kejriwal split and the broom wielding Aam Aadmi Party, the impending 2014 polls and just want to walk out. Satyagraha doesn’t work because Jha should know better than to make it all so black and white.
Remember the song Sun and Moon? The lyrics went a bit like, “…I’m sorry baby you were the sun and moon to me, I’ll never get over you, you’ll never get over me…” – yes. Those guys. That’s exactly how I heard some friends discuss Above & Beyond. Let’s get a little in deep: these guys have released three studio albums, two remix albums, one side-project album. Their own two labels – Anjunabeats and Anjunadeep, and are among the most respected imprints in the global dance music scene and have released some 23 Above & Beyond albums and compilations in the last 12 years. Also Read – ‘Playing Jojo was emotionally exhausting’There have been dozens (and dozens) of singles and mix albums and offshoot projects, all snapped up by a devoted worldwide fan base that has happily, passionately followed this London-based electronic trio since their formation in 2000. Phew. We spoke to Tony McGuinness about their next album and much more. Read on…How did Above and Beyond come together? What started it all?We came together to do a remix for Warner Brothers – Chakra Home. We were all doing other things at the time but the remix was very successful and pretty soon Above & Beyond became the main thing for all three of us. The name came from a guy in the States called Jono Grant who was a motivational trainer – “Above & Beyond” was his tag line. Our own Jono had found his web site and printed the front page out and stuck it on his bedroom wall. When we’d finished the mix we needed a name and it just jumped out at us. Also Read – Leslie doing new comedy special with Netflix How easy (or difficult) was it for Above and Beyond to make a mark in the music scene?It’s hard to know what things we’ve done have had the biggest impact since we’ve never stopped making music and touring, but we’ve had some amazing opportunities and, thus far at least, have risen to the challenge of doing something great when we’ve had the chance. Our first remix was of a club classic that, even though we were unknown, became the lead remix on the package and went to number one in the club chart. Our remix for Madonna was on spec, but she loved it so much she made the video to our mix instead of the Radio edit. We got the chance to do an Essential Mix for Radio 1 in 2004 and the mix won Essential Mix of the year. And our first album, Tri-State, got great reviews across the board. So we’ve had some great bits of luck to get some great breaks but we’ve made sure we do a great job when we do. In addition, what we do, which is act like a band and write songs about our real life, sets us apart from almost all our peers, who usually draft in external singer/songwriters. That doesn’t really result in any consistency or connection.Who and what influences you and your music? Who are your favourite musicians?We each have quite different tastes in music outside of what we make together and sign to the label, which keeps our music very diverse and, hopefully, rich in context. Personally I love singer songwriters like Damien Rice, unique singers like Goldfrapp, FKA Twigs and Kate Bush, bands like Kings of Convenience, Blonde Redhead, Royksopp and War on Drugs and electronic producers from Joris Voorn to Seven Lions. Paavo is especially keen on soundtracks, Jono loves a lot of 80s pop like the Pet Shop Boys.Tell us about your favourite tracks? If you could pick one track from your repertoire to go down in history (over the others) which one would that be?Hmm, it always used to be Tranquility Base Razorfish, but I’d probably pick Thing Called Love or Sun & Moon as they seem to have a life of their own, even now. But the new album is just out and there are lots of great tracks on there just bedding in, so let’s see how it feels a year from now. How has Above and Beyond witnessed the change in the music scene from the time you started to now?We started just as trance music was losing its pop credibility and moving underground, so we’ve always eschewed pop music, per se. But recently a lot of pop EDM has created an explosion in public interest in the scene and whilst we haven’t been deflected by that and remain outside it in many ways, it has provided a lot of oxygen to the scene and we’ve certainly benefitted from that. If you could change one thing about the music industry right now – what would that be?The idea that musicians should not get paid fairly for the work they do is ridiculous and the slow but severe eroding in revenues for recorded music is hurting everyone without the means to support themselves in other ways, like DJing. That sucks.If you could change one thing about the world with your music – what would that be?The internet promised a more connected world and in the music business it delivers that emphatically. But politi cally it seems to be dividing us, extreme views which would have dwindled in a locally connected society gain weight in an interconnected world in a way nobody foresaw. Now anyone with a crazy way of seeing things can find people who share those views in another country, which in turn gives validity to the extreme views. The world is more and more divided by issues of ‘race’ and religion and bigotry is rife. As touring DJs we see things differently. We travel to countries that have supposedly different world views and find that people, on the whole, are all the same. We’ve done shows in the same weekend to countries who remain violently opposed and found the same reaction to our music, the same hopes and fears, dreams and aspirations in the people. It’s one planet, we’re one human race and the sooner we realise that the better things will get. What’s next for Above and Beyond?We’re touring the world in support of our new album We Are All We Need, including our biggest ever US tour – six weeks of high intensity touring to over 100,000 people. Then we have a sold out UK tour to look forward to in April. Tell us about the top five songs on your playlist right now. Our new single is called All Over The World and it’s about a broken father/son relationship, illustrated perfectly by the video which is based on Catch Me If You Can. The next single from the album will be Peace of Mind. There’s an extraordinary new single from Andrew Bayer and Asbjorn, a new Danish singer we’ve hooked him up with. It’s called Superhuman and it’s fabulous. Our recent remix Salva Mea is going off in our sets, we’re super proud of that one. All That Matters by Kolsch feat Troels Abramsen is a particular favourite, it’s a beautiful song and the production.
Kolkata: A West Bengal Transport Corporation (WBTC) bus collided with a school bus under Kankurgachi rail bridge on Wednesday morning injuring five students less than 13 years of age. All of them were rushed to ESI Hospital near the HUDCO crossing where the doctors treated and discharged them.According to police sources, an empty WBTC bus that was being used for Gangasagar pilgrims was headed towards Maniktala from Kankurgachi. At the same time, a school bus full of students of a private English-medium school in the Ruby Park area was also headed towards Kankurgachi. Under Kankurgachi rail bridge, the WBTC bus hit the right portion of the school bus as a result of which five students fell inside the bus and got injured. Also Read – 3 injured, flight, train services hit as rains lash BengalOn-duty traffic police personnel rushed to the spot and evacuated the students. With assistance from locals, police rushed the injured students to ESI hospital. Meanwhile, the school authority was informed and another bus was arranged. After a while, the other school bus arrived and picked up the other students and dropped them at school. They were all taken for a check-up to a local hospital but none was found to be injured. Later, police seized both the buses and detained the drivers. Both the buses were removed to Phoolbagan police station. A case against the offending WBTC bus driver was initiated on charges of rash driving or riding on a public way (279 IPC) and causing grievous hurt by act endangering life or personal safety of others (338 IPC).